• We do not take on the digitisation of physical film, tape or paper archives, and we will point you to a transfer house that does.
  • We decline projects where the client wants us to copy another organisation's metadata records into their catalogue without the rights to do so.
  • We do not supply standalone editing or viewing software for media files, since our work is confined to the metadata layer around them.
  • We turn down engagements that require us to guarantee a fixed number of records per day regardless of the condition of the source material.

Background

A media metadata practice built around catalogues that have to last